{"id":4246,"date":"2026-04-25T18:44:26","date_gmt":"2026-04-25T18:44:26","guid":{"rendered":"https:\/\/anhaber.net\/?p=4246"},"modified":"2026-04-27T18:39:20","modified_gmt":"2026-04-27T18:39:20","slug":"mithat-senin-yeryuzu-gokyuzu-sergisi-galeri-bosforda-acildi","status":"publish","type":"post","link":"https:\/\/anhaber.net\/?p=4246","title":{"rendered":"Mithat \u015een\u2019in Yery\u00fcz\u00fc G\u00f6ky\u00fcz\u00fc Sergisi Galeri Bosfor\u2019da A\u00e7\u0131ld\u0131"},"content":{"rendered":"\n

Galeri Bosfor, T\u00fcrk \u00e7a\u011fda\u015f sanat\u0131n\u0131n en \u00f6zg\u00fcn ve k\u00f6kl\u00fc seslerinden Mithat \u015een\u2019in son d\u00f6nem
\u00fcretimlerini i\u00e7eren Yery\u00fcz\u00fc G\u00f6ky\u00fcz\u00fc isimli sergisine ev sahipli\u011fi yap\u0131yor. Sergi, 23 May\u0131s\u2019a kadar
sanat severlerle bulu\u015fuyor.<\/p>\n\n\n\n


K\u0131rk y\u0131l\u0131 a\u015fk\u0131n bir s\u00fcredir sanat prati\u011fini s\u00fcrd\u00fcren Mithat \u015een, bu sergide ilk kez tek bir do\u011fa
formuna odaklan\u0131yor: Selviye. Osmanl\u0131 \u015fiirinde sevgilinin boyunu imgeleyen, Divan edebiyat\u0131nda
bah\u00e7enin minaresi olarak adland\u0131r\u0131lan; \u0130stanbul’un mezarl\u0131klar\u0131nda \u00f6l\u00fcm\u00fc de\u011fil \u00f6l\u00fcm\u00fcn \u00f6tesindeki
s\u00fcreklili\u011fi temsil etmek \u00fczere dikilen selvi a\u011fac\u0131 bu kez Mithat \u015een\u2019in par\u015f\u00f6men eserlerinde hayat
buluyor. Toprakta k\u00f6kl\u00fc, g\u00f6ky\u00fcz\u00fcne uzan\u0131rken, tam da serginin isminde s\u00f6ylendi\u011fi gibi: ayn\u0131 anda
yery\u00fcz\u00fc ve g\u00f6ky\u00fcz\u00fcn\u00fc simgeliyor selvi\u2026<\/p>\n\n\n\n


Mithat \u015een, \u00f6nceki serilerinde bedeni \u015femaya, \u015femay\u0131 birime, birimi istife d\u00f6n\u00fc\u015ft\u00fcrd\u00fc. Bedenin
ba\u015flatt\u0131\u011f\u0131n\u0131 istifle s\u00fcrd\u00fcrd\u00fc; istifin d\u00fczenledi\u011fini \u00e2lem sard\u0131. Her seri yeni bir derinle\u015fmeydi: ayn\u0131
sarmal, kendini yineleyerek farkl\u0131 formlarda geni\u015fletti. Mithat \u015een, \u015fimdi selvi ile bu devaml\u0131l\u0131kta
yeni bir ifadeye \u00e7\u0131k\u0131yor. T\u00fcm Akdeniz’in siluetini tan\u0131d\u0131\u011f\u0131, \u0130stanbul\u2019un s\u0131rtlar\u0131n\u0131 s\u00fcsleyen, Osmanl\u0131
k\u00fclt\u00fcr\u00fcnde hayat a\u011fac\u0131 ve ya\u015famla \u00f6l\u00fcm aras\u0131ndaki manevi k\u00f6pr\u00fc olan selvi, bir simge de\u011fil zarif
bir hat\u0131rlat\u0131c\u0131 olarak yorumlan\u0131yor.<\/p>\n\n\n\n

Mithat \u015een Hakk\u0131nda
Mithat \u015een, T\u00fcrkiye \u00e7a\u011fda\u015f sanat\u0131n\u0131n en \u00f6zg\u00fcn ve uzun soluklu seslerinden biridir. 1957 y\u0131l\u0131nda
\u0130stanbul\u2019da do\u011fan sanat\u00e7\u0131n\u0131n kariyerindeki d\u00f6n\u00fcm noktalar\u0131ndan biri, 1990 y\u0131l\u0131nda 44. Venedik
Bienali\u2019ne kat\u0131lmas\u0131 olmu\u015ftur. O g\u00fcnden bu yana \u0130stanbul merkezli olarak \u00e7al\u0131\u015fmalar\u0131n\u0131
s\u00fcrd\u00fcrmekte hem son derece sistematik hem de g\u00fc\u00e7l\u00fc bir ifade diline sahip bir \u00fcretim prati\u011fi
geli\u015ftirmeye devam etmektedir. \u015een\u2019in prati\u011finin merkezinde, insan bedeninden t\u00fcretti\u011fi 13
birimli bir \u015fema yer al\u0131r. Sanat\u00e7\u0131, bu g\u00f6rsel birimler \u00fczerinden \u00fcretti\u011fi i\u015flerini ba\u011fl\u0131 oldu\u011fu
co\u011frafyan\u0131n par\u00e7a-b\u00fct\u00fcn anlay\u0131\u015f\u0131 \u00fczerine in\u015fa eder; do\u011fan\u0131n \u00fcretim bi\u00e7imine benzer \u015fekilde tekrar
ve \u00e7e\u015fitlenme yoluyla geli\u015ftirir. Yakla\u015f\u0131k k\u0131rk y\u0131ld\u0131r s\u00fcrd\u00fcrd\u00fc\u011f\u00fc bu \u00fcretim prati\u011finde \u015een, bu
\u201cbedeni\u201d tuval ya da k\u00e2\u011f\u0131t y\u00fczeyinde ya\u011fl\u0131 boya, akrilik, sulu boya ve kara kalem gibi farkl\u0131
tekniklerle var eder; kimi zaman y\u00fczeyi kaz\u0131yarak formu ortaya \u00e7\u0131kar\u0131r. Bu yap\u0131, keten ve \u00e7e\u015fitli
kuma\u015flar\u0131n yan\u0131 s\u0131ra o\u011flak derisi gibi farkl\u0131 malzemeler \u00fczerinde de hayat bulur. Son d\u00f6nemde ise
heykel \u00fcretimlerine y\u00f6nelen \u015een, mermer, paslanmaz \u00e7elik ve metal gibi malzemeleri de prati\u011fine
dahil etmi\u015ftir. Kendine \u00f6zg\u00fc soyut bir d\u00fczenin mimari olarak tan\u0131mlanan Mithat \u015een, kolayca
s\u0131n\u0131fland\u0131r\u0131lamayan ve yak\u0131ndan bak\u0131ld\u0131k\u00e7a derinle\u015fen bir \u00fcretim dili geli\u015ftirir.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n


Derin bir sistematik anlay\u0131\u015f ve zengin bir ifade g\u00fcc\u00fc ile in\u015fa edilen eserler, sanat\u00e7\u0131n\u0131n uzun y\u0131llar
boyunca geli\u015ftirdi\u011fi kendine \u00f6zg\u00fc dil ve malzemelerle selvi a\u011fac\u0131n\u0131n \u00f6z\u00fcn\u00fc ara\u015ft\u0131r\u0131yor. \u015een,
selvinin formunu kendi diline \u00e7eviriyor. Selviyi resmetmiyor; selvinin yukar\u0131ya do\u011fru b\u00fcy\u00fcme
ilkesini, topra\u011fa ba\u011fl\u0131 kal\u0131rken g\u00f6ky\u00fcz\u00fcne uzanma h\u00e2lini kendi sistemi i\u00e7inde yeniden \u00fcretiyor.
Yery\u00fcz\u00fc G\u00f6ky\u00fcz\u00fc ile selvi, \u015een’in sistemine girince, t\u0131pk\u0131 beden birimlerinin beden olmaktan
\u00e7\u0131kmas\u0131 gibi, bir a\u011fa\u00e7 olmaktan \u00e7\u0131k\u0131yor. A\u011fac\u0131n ilkesi oluyor; dikey d\u00fcrt\u00fc, topra\u011f\u0131 g\u00f6ky\u00fcz\u00fcne do\u011fru
\u00e7ekme, her mevsimde de\u011fi\u015fmeden de\u011fil de\u011fi\u015fiminin s\u00fcreklili\u011fiyle ayn\u0131 \u015fey oldu\u011fu i\u00e7in ayakta
duran form, \u015een’in her zaman resmetti\u011fi \u015fey oluyor. Do\u011fan\u0131n yasalar\u0131 tasvir edilmi\u015f de\u011fil, pratikte
ya\u015fanm\u0131\u015f; bu co\u011frafyaya tam olarak ait, bu topra\u011fa tam olarak k\u00f6klenmi\u015f ve daima, g\u00f6r\u00fclemeyen
olana, yery\u00fcz\u00fcnden, uzanmakta olan bir form olarak Yery\u00fcz\u00fc G\u00f6ky\u00fcz\u00fc sergisinde yer al\u0131yor.
Mithat \u015een\u2019in Yery\u00fcz\u00fc G\u00f6ky\u00fcz\u00fc sergisi, 23 May\u0131s 2026\u2019ya kadar pazar ve pazartesi hari\u00e7 di\u011fer
g\u00fcnler 10.00-19.00 saatleri aras\u0131nda Bosfor\u2019da izlenebilir.
<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n

www.galeribosfor.com
Galeri Bosfor
<\/strong>ADRES: Kemanke\u015f Karamustafa Pa\u015fa Mah. K\u00f6lemen Sok. No: 7, Beyo\u011flu\/\u0130ST<\/p>\n","protected":false},"excerpt":{"rendered":"

Galeri Bosfor, T\u00fcrk \u00e7a\u011fda\u015f sanat\u0131n\u0131n en \u00f6zg\u00fcn ve k\u00f6kl\u00fc seslerinden Mithat \u015een\u2019in son d\u00f6nem\u00fcretimlerini i\u00e7eren Yery\u00fcz\u00fc G\u00f6ky\u00fcz\u00fc isimli sergisine ev sahipli\u011fi yap\u0131yor. Sergi, 23 May\u0131s\u2019a kadarsanat severlerle bulu\u015fuyor. K\u0131rk y\u0131l\u0131 a\u015fk\u0131n bir s\u00fcredir sanat prati\u011fini s\u00fcrd\u00fcren Mithat \u015een, bu sergide ilk kez tek bir do\u011faformuna odaklan\u0131yor: Selviye. Osmanl\u0131 \u015fiirinde sevgilinin boyunu imgeleyen, Divan edebiyat\u0131ndabah\u00e7enin minaresi […]<\/p>\n","protected":false},"author":3,"featured_media":4247,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,45,12,13],"tags":[],"class_list":["post-4246","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-haberleri","category-manset","category-sanat-haberleri","category-son-dakika-haber"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/anhaber.net\/index.php?rest_route=\/wp\/v2\/posts\/4246","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/anhaber.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/anhaber.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/anhaber.net\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/anhaber.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4246"}],"version-history":[{"count":5,"href":"https:\/\/anhaber.net\/index.php?rest_route=\/wp\/v2\/posts\/4246\/revisions"}],"predecessor-version":[{"id":4259,"href":"https:\/\/anhaber.net\/index.php?rest_route=\/wp\/v2\/posts\/4246\/revisions\/4259"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/anhaber.net\/index.php?rest_route=\/wp\/v2\/media\/4247"}],"wp:attachment":[{"href":"https:\/\/anhaber.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4246"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/anhaber.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4246"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/anhaber.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4246"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}