{"id":4209,"date":"2026-04-22T20:45:21","date_gmt":"2026-04-22T20:45:21","guid":{"rendered":"https:\/\/anhaber.net\/?p=4209"},"modified":"2026-04-27T18:58:50","modified_gmt":"2026-04-27T18:58:50","slug":"sergibarajdan-sizanlar-22-nisan-23-agustos-2026-salt-beyoglu","status":"publish","type":"post","link":"https:\/\/anhaber.net\/?p=4209","title":{"rendered":"Sergi:”Barajdan S\u0131zanlar” 22 Nisan \u2013 23 A\u011fustos 2026 Salt Beyo\u011flu"},"content":{"rendered":"\n

<\/p>\n\n\n\n

Do\u011fu Akdeniz\u2019den K\u00f6rfez B\u00f6lgesi\u2019ne uzanan bir co\u011frafyada arazi, haf\u0131za
ve ar\u015fiv aras\u0131ndaki ili\u015fkilerin izini s\u00fcren \u201cBarajdan S\u0131zanlar\u201d sergisi Salt Beyo\u011flu\u2019nda a\u00e7\u0131ld\u0131.<\/p>\n\n\n\n

Salt\u2019\u0131n yeni sergisi Barajdan S\u0131zanlar, Do\u011fu Akdeniz\u2019den K\u00f6rfez B\u00f6lgesi\u2019ne uzanan bir
co\u011frafyada, sanat\u00e7\u0131lar\u0131n \u00fcretimleri arac\u0131l\u0131\u011f\u0131yla s\u00f6m\u00fcrgeci pratiklerin \u00f6tesinde bir \u201cyerde\u015flik\u201d
tahayy\u00fcl ediyor. Ulus-devlet s\u0131n\u0131rlar\u0131n\u0131 a\u015fan ortak tarihsel deneyimlerin ve co\u011frafyalar aras\u0131
dayan\u0131\u015fma imk\u00e2nlar\u0131n\u0131n pe\u015finde, kolektif bir varolu\u015f zemini d\u00fc\u015fl\u00fcyor.
Sergi, bu ortak zeminin olu\u015fumunda arazinin haf\u0131za ve ar\u015fivle ili\u015fkisini merkeze al\u0131r: Barajlar,
kanallar, petrol kuyular\u0131, jeotermal santraller, g\u00f6zetim sistemleri, baz istasyonlar\u0131, fiziksel
peyzaj\u0131n yan\u0131 s\u0131ra onun etraf\u0131nda \u015fekillenen sosyal ve k\u00fclt\u00fcrel ba\u011flar\u0131 da d\u00f6n\u00fc\u015ft\u00fcr\u00fcr. Ancak
toplumsal bellek yok olmaz; aksine araziye kaz\u0131n\u0131r. Nehirler, batakl\u0131klar, sokaklar,
kahvehaneler haf\u0131zay\u0131 tutan birer ar\u015fiv h\u00e2line gelir.<\/p>\n\n\n\n


Ad\u0131n\u0131 insan haklar\u0131 avukat\u0131 Noura Erakat\u2019\u0131n \u201cBaraj\u0131 yar\u0131p ge\u00e7iyoruz; m\u00fccadeleye devam edin\u201d
s\u00f6z\u00fcnden alan sergi, altyap\u0131lar\u0131 sadece bir tahakk\u00fcm arac\u0131 olarak de\u011fil, s\u0131z\u0131nt\u0131lar\u0131n ve
direni\u015fin metaforu olarak konumland\u0131r\u0131r. Dura\u011fan g\u00f6r\u00fcnen bir nehrin ans\u0131z\u0131n ta\u015fk\u0131na d\u00f6n\u00fc\u015fmesi gibi, haf\u0131za da \u00e7atlaklardan bug\u00fcne s\u0131zar. <\/p>\n\n\n\n

Arazi, m\u00fclkiyetin, tahakk\u00fcm\u00fcn, kaynak s\u00f6m\u00fcr\u00fcs\u00fcn\u00fcn zemini olabildi\u011fi kadar hat\u0131rlaman\u0131n, bir araya gelmenin ve yerde\u015flik kurman\u0131n yollar\u0131n\u0131 da bar\u0131nd\u0131r\u0131r.S\u00f6m\u00fcrgeci bir \u201ci\u00e7 deniz\u201d projesinin Sahra\u2019daki tortular\u0131, telekom\u00fcnikasyon a\u011flar\u0131n\u0131n g\u00f6r\u00fcnmez peyzaj\u0131, terk edilmi\u015f bir gece kul\u00fcb\u00fcnden s\u0131zan \u0131\u015f\u0131klar ve y\u00fczy\u0131llar\u0131n \u00e7\u00f6k\u00fc\u015f\u00fcn\u00fc saniyelere s\u0131\u011fd\u0131ran obruklar\u0131n sesi mek\u00e2nda birbirine kar\u0131\u015f\u0131r. <\/p>\n\n\n\n

Eski bir istihbarat\u00e7\u0131n\u0131n Bat\u0131 Asya\u2019n\u0131n enerji haritas\u0131n\u0131 belirleyen \u00e7\u00f6l rotalar\u0131ndan n\u00fckleer felaketlerin arazide b\u0131rakt\u0131\u011f\u0131 izlere, Avrupa\u2019ya g\u00f6\u00e7en i\u015f\u00e7ilerin belleklerinde ta\u015f\u0131d\u0131klar\u0131 manzaralardan yok edilen Filistin k\u00f6ylerinin s\u0131n\u0131rlar\u0131n\u0131 yeniden \u00e7izen inat\u00e7\u0131 kakt\u00fcs k\u00f6klerine kadar nice anlat\u0131 m\u00fc\u015fterek bir zeminde bulu\u015fur.
Salt\u2019tan G\u00fclce \u00d6zkara taraf\u0131ndan programlanan sergi, 23 A\u011fustos\u2019a dek Salt Beyo\u011flu\u2019nda \u00fccretsiz ziyarete a\u00e7\u0131k olacak. Sergiye e\u015flik eden kamu programlar\u0131 \u00f6n\u00fcm\u00fczdeki g\u00fcnlerde duyurulacak. <\/p>\n\n\n\n

Ayr\u0131nt\u0131l\u0131 bilgi i\u00e7in: saltonline.org.
Sanat\u00e7\u0131lar: Haig Aivazian, Monira Al Qadiri, Al-Wah\u2019at Collective, Mehmet Ali Boran, Can
Candan, Asl\u0131han Demirta\u015f, Alia Farid, Metincan G\u00fczel, Emre H\u00fcner, Evrim Kaya, Yelta K\u00f6m,
Fredj Moussa, Dima Srouji, Asl\u0131 Uluda\u011f, Merve \u00dcnsal
Barajdan S\u0131zanlar, Hollanda Krall\u0131\u011f\u0131 ve Feltouch\u2019\u0131n deste\u011fi; Asya International Movers,
Bankerhan Hotel, Eureko Sigorta ve Jotun\u2019un katk\u0131lar\u0131yla ger\u00e7ekle\u015ftirilmektedir.<\/p>\n\n\n\n

\n\n\n\n

Program: G\u00fclce \u00d6zkara
Sergi Tasar\u0131m\u0131 ve Prod\u00fcksiyon: Emirhan Altuner
Edit\u00f6r: Ezgi Yurteri
\u0130ngilizce \u00c7eviri: \u00c7a\u011fla \u00d6zbek
Tasar\u0131m ve Prod\u00fcksiyon Asistan\u0131: Fulya Aras
Kurulum: Mustafa Kurt, Eray \u00d6zcan, OCD Museum Works, 3T Reklam
\u0130leti\u015fim Tasar\u0131m\u0131: Amir Jamshidi
Te\u015fekk\u00fcrler: Derin Print Shop, Dou Print Studio, K\u00d6NIG GALERIE, Sfeir-Semler Gallery<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n
\n
\"\"<\/figure>\n<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n

G\u00d6RSEL KRED\u0130LER\u0130 | IMAGE CREDITS<\/strong><\/p>\n\n\n\n

1.<\/strong><\/p>\n\n\n\n

Emre H\u00fcner, Metasomatizm-(a)<\/em> (2026), Barajdan S\u0131zanlar<\/em> sergisinden g\u00f6r\u00fcn\u00fcm, Salt Beyo\u011flu, 2026<\/p>\n\n\n\n

Foto\u011fraf: Metean Bars (Salt)<\/p>\n\n\n\n

Emre H\u00fcner, Metasomatism-(a) <\/em>(2026), installation view from the exhibition Breaking Through a Dam<\/em>, Salt Beyo\u011flu, 2026<\/p>\n\n\n\n

Photo: Metean Bars (Salt)<\/p>\n\n\n\n

2.<\/strong><\/p>\n\n\n\n

Barajdan S\u0131zanlar<\/em> sergisinden g\u00f6r\u00fcn\u00fcm, Salt Beyo\u011flu, 2026<\/p>\n\n\n\n

Foto\u011fraf: Metean Bars (Salt)<\/p>\n\n\n\n

Installation view from the exhibition Breaking Through a Dam<\/em>, Salt Beyo\u011flu, 2026<\/p>\n\n\n\n

Photo: Metean Bars (Salt)<\/p>\n\n\n\n

3.<\/strong><\/p>\n\n\n\n

Dima Srouji, A Crack in the Water Followed by Return <\/em>[\u00c7atlaktan S\u0131zanlar ve Geri D\u00f6n\u00fc\u015f] (2023), Barajdan S\u0131zanlar<\/em> sergisinden g\u00f6r\u00fcn\u00fcm, Salt Beyo\u011flu, 2026<\/p>\n\n\n\n

Foto\u011fraf: Metean Bars (Salt)<\/p>\n\n\n\n

Dima Srouji, A Crack in the Water Followed by Return <\/em>(2023), installation view from the exhibition Breaking Through a Dam<\/em>, Salt Beyo\u011flu, 2026<\/p>\n\n\n\n

Photo: Metean Bars (Salt)<\/p>\n\n\n\n

4.<\/strong><\/p>\n\n\n\n

Fredj Moussa, Mirage, The Inner Sea <\/em>[\u0130\u00e7 Deniz, Bir Serap] (2024), Barajdan S\u0131zanlar<\/em> sergisinden g\u00f6r\u00fcn\u00fcm, Salt Beyo\u011flu, 2026<\/p>\n\n\n\n

Foto\u011fraf: Metean Bars (Salt)<\/p>\n\n\n\n

Fredj Moussa, Mirage, The Inner Sea <\/em>(2024), installation view from the exhibition Breaking Through a Dam<\/em>, Salt Beyo\u011flu, 2026<\/p>\n\n\n\n

Photo: Metean Bars (Salt)<\/p>\n\n\n\n

5.<\/strong><\/p>\n\n\n\n

\u00d6nde: Yelta K\u00f6m, hep seninleydim<\/em> (2026); arkada: Metincan G\u00fczel, Too Close to Home<\/em> [Eve Fazlas\u0131yla Yak\u0131n] (2023\u2013s\u00fcregelen), Barajdan S\u0131zanlar<\/em> sergisinden g\u00f6r\u00fcn\u00fcm, Salt Beyo\u011flu, 2026<\/p>\n\n\n\n

Foto\u011fraf: Metean Bars (Salt)<\/p>\n\n\n\n

Front: Yelta K\u00f6m, I was always with you<\/em> (2026); back: Metincan G\u00fczel, Too Close to Home<\/em> (2023\u2013ongoing), installation view from the exhibition Breaking Through a Dam<\/em>, Salt Beyo\u011flu, 2026<\/p>\n\n\n\n

Photo: Metean Bars (Salt)<\/p>\n\n\n\n

6.<\/strong><\/p>\n\n\n\n

Evrim Kaya, \u0130zle!<\/em> (2026), Barajdan S\u0131zanlar<\/em> sergisinden g\u00f6r\u00fcn\u00fcm, Salt Beyo\u011flu, 2026<\/p>\n\n\n\n

Foto\u011fraf: Metean Bars (Salt)<\/p>\n\n\n\n

Evrim Kaya, See!<\/em> (2026), installation view from the exhibition Breaking Through a Dam<\/em>, Salt Beyo\u011flu, 2026<\/p>\n\n\n\n

Photo: Metean Bars (Salt)<\/p>\n\n\n\n

7.<\/strong><\/p>\n\n\n\n

Al-Wah\u2019at Collective, Blood of the Cactus, Blood of the Tree <\/em>[Kakt\u00fcs\u00fcn Kan\u0131, A\u011fac\u0131n Kan\u0131] (2025); Processional Flags<\/em> [Ge\u00e7it Bayraklar\u0131] (2025); A Hedge of Sabr and Qatlab <\/em>[Kakt\u00fcs ve Hartlap \u00c7iti] (2025), Barajdan S\u0131zanlar<\/em> sergisinden g\u00f6r\u00fcn\u00fcm, Salt Beyo\u011flu, 2026<\/p>\n\n\n\n

Foto\u011fraf: Metean Bars (Salt)<\/p>\n\n\n\n

Al-Wah\u2019at Collective, Blood of the Cactus, Blood of the Tree <\/em>(2025); Processional Flags<\/em> (2025); A Hedge of Sabr and Qatlab <\/em>(2025), installation view from the exhibition Breaking Through a Dam<\/em>, Salt Beyo\u011flu, 2026<\/p>\n\n\n\n

Photo: Metean Bars (Salt)<\/p>\n\n\n\n

8.<\/strong><\/p>\n\n\n\n

Merve \u00dcnsal, Sinkhole Syntax<\/em> [Obru\u011fun S\u00f6zdizimi] (2026), Barajdan S\u0131zanlar<\/em> sergisinden g\u00f6r\u00fcn\u00fcm, Salt Beyo\u011flu, 2026<\/p>\n\n\n\n

Foto\u011fraf: Metean Bars (Salt)<\/p>\n\n\n\n

Merve \u00dcnsal, Sinkhole Syntax<\/em> (2026), installation view from the exhibition Breaking Through a Dam<\/em>, Salt Beyo\u011flu, 2026<\/p>\n\n\n\n

Photo: Metean Bars (Salt)<\/p>\n\n\n\n

9.<\/strong><\/p>\n\n\n\n

Mehmet Ali Boran, Bir Anadolu Pars\u0131n\u0131n Tedirginlik \u0130\u00e7indeki Aray\u0131\u015flar\u0131<\/em> (2021), Barajdan S\u0131zanlar<\/em> sergisinden g\u00f6r\u00fcn\u00fcm, Salt Beyo\u011flu, 2026<\/p>\n\n\n\n

Foto\u011fraf: Metean Bars (Salt)<\/p>\n\n\n\n

Mehmet Ali Boran, The Quests of an Anatolian Leopard in Disquiet <\/em>(2021), installation view from the exhibition Breaking Through a Dam<\/em>, Salt Beyo\u011flu, 2026<\/p>\n\n\n\n

Photo: Metean Bars (Salt)<\/p>\n\n\n\n

10.<\/strong><\/p>\n\n\n\n

Monira Al Qadiri, Holy Quarter<\/em> [Kutsal \u00c7\u00f6l] (2020), Barajdan S\u0131zanlar<\/em> sergisinden g\u00f6r\u00fcn\u00fcm, Salt Beyo\u011flu, 2026<\/p>\n\n\n\n

Foto\u011fraf: Metean Bars (Salt)<\/p>\n\n\n\n

Monira Al Qadiri, Holy Quarter<\/em> (2020), installation view from the exhibition Breaking Through a Dam<\/em>, Salt Beyo\u011flu, 2026<\/p>\n\n\n\n

Photo: Metean Bars (Salt)<\/p>\n","protected":false},"excerpt":{"rendered":"

Do\u011fu Akdeniz\u2019den K\u00f6rfez B\u00f6lgesi\u2019ne uzanan bir co\u011frafyada arazi, haf\u0131zave ar\u015fiv aras\u0131ndaki ili\u015fkilerin izini s\u00fcren \u201cBarajdan S\u0131zanlar\u201d sergisi Salt Beyo\u011flu\u2019nda a\u00e7\u0131ld\u0131. Salt\u2019\u0131n yeni sergisi Barajdan S\u0131zanlar, Do\u011fu Akdeniz\u2019den K\u00f6rfez B\u00f6lgesi\u2019ne uzanan birco\u011frafyada, sanat\u00e7\u0131lar\u0131n \u00fcretimleri arac\u0131l\u0131\u011f\u0131yla s\u00f6m\u00fcrgeci pratiklerin \u00f6tesinde bir \u201cyerde\u015flik\u201dtahayy\u00fcl ediyor. Ulus-devlet s\u0131n\u0131rlar\u0131n\u0131 a\u015fan ortak tarihsel deneyimlerin ve co\u011frafyalar aras\u0131dayan\u0131\u015fma imk\u00e2nlar\u0131n\u0131n pe\u015finde, kolektif bir varolu\u015f zemini […]<\/p>\n","protected":false},"author":3,"featured_media":4216,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,45,12,13],"tags":[],"class_list":["post-4209","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-haberleri","category-manset","category-sanat-haberleri","category-son-dakika-haber"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/anhaber.net\/index.php?rest_route=\/wp\/v2\/posts\/4209","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/anhaber.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/anhaber.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/anhaber.net\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/anhaber.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4209"}],"version-history":[{"count":5,"href":"https:\/\/anhaber.net\/index.php?rest_route=\/wp\/v2\/posts\/4209\/revisions"}],"predecessor-version":[{"id":4231,"href":"https:\/\/anhaber.net\/index.php?rest_route=\/wp\/v2\/posts\/4209\/revisions\/4231"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/anhaber.net\/index.php?rest_route=\/wp\/v2\/media\/4216"}],"wp:attachment":[{"href":"https:\/\/anhaber.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4209"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/anhaber.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4209"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/anhaber.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4209"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}