{"id":3671,"date":"2025-12-10T20:35:33","date_gmt":"2025-12-10T20:35:33","guid":{"rendered":"https:\/\/anhaber.net\/?p=3671"},"modified":"2025-12-10T20:35:33","modified_gmt":"2025-12-10T20:35:33","slug":"nerede-kaldigimizi-sakin-unutma","status":"publish","type":"post","link":"https:\/\/anhaber.net\/?p=3671","title":{"rendered":"Nerede kald\u0131\u011f\u0131m\u0131z\u0131 sak\u0131n unutma&#8230;\u201d"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>Can Orhun\u2019dan&nbsp;<\/strong><strong>\u0130stanbul\u2019un haf\u0131zas\u0131na dokunan yeni roman:&nbsp;<\/strong><strong>Belki Birimiz<\/strong><strong>&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Can Orhun\u2019un, \u00fc\u00e7\u00fcnc\u00fc roman\u0131 Belki Birimiz,&nbsp;<\/strong><strong>O\u011flak Yay\u0131nlar\u0131 etiketiyle raflardaki yerini ald\u0131. Belki Birimiz, \u015fehirle insan aras\u0131ndaki sessiz ili\u015fkiyi, ge\u00e7mi\u015fin bug\u00fcne s\u0131zan izlerini ve zaman\u0131n derin k\u0131r\u0131lmalar\u0131n\u0131 oda\u011f\u0131na alan, atmosferi g\u00fc\u00e7l\u00fc, dili titizlikle i\u015flenmi\u015f ve b\u00fcy\u00fcl\u00fc ger\u00e7ek\u00e7ili\u011fin izlerini ta\u015f\u0131yan modern bir \u0130stanbul roman\u0131\u2026&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ex-libris ya da Pertev Efendi&#8217;nin Ola\u011fan\u00fcst\u00fc Yolculu\u011fu\u201d ve \u201cYusuf&#8217;un Limanlar\u0131\u201d romanlar\u0131yla tan\u0131nan Can Orhun\u2019un yeni roman\u0131 Belki Birimiz<strong>&nbsp;<\/strong>O\u011flak Yay\u0131nlar\u0131 etiketiyle raflarda.&nbsp;\u0130stanbul\u2019un haf\u0131zas\u0131nda sakl\u0131 bir hik\u00e2yeyi g\u00fcn y\u00fcz\u00fcne \u00e7\u0131karan Belki Birimiz; mek\u00e2n\u0131n ruhunun, ge\u00e7mi\u015fin a\u011f\u0131rl\u0131\u011f\u0131n\u0131n ve insanlar\u0131n i\u00e7sel hesapla\u015fmalar\u0131n\u0131n b\u00fcy\u00fcl\u00fc bir atmosfer i\u00e7inde birbirine kar\u0131\u015ft\u0131\u011f\u0131 duygu y\u00fckl\u00fc bir roman.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Roman\u0131n merkezinde, hayat\u0131n farkl\u0131 evrelerinde duran \u00fc\u00e7 karakter yer al\u0131yor: Gen\u00e7lik ile olgunluk aras\u0131nda s\u0131k\u0131\u015fm\u0131\u015f bir aray\u0131\u015f hali, ge\u00e7mi\u015fin a\u011f\u0131r y\u00fck\u00fcn\u00fc ta\u015f\u0131yan bir vicdan ve d\u00fcnyaya umutla bakan parlak bir \u0131\u015f\u0131k\u2026 \u00dc\u00e7\u00fc de kendi yollar\u0131nda sessizce ilerlerken, \u0130stanbul\u2019un eski bir kitap\u00e7\u0131s\u0131nda kesi\u015fen hayatlar\u0131, hik\u00e2yenin k\u0131r\u0131lma noktas\u0131n\u0131 olu\u015fturuyor. Buradaki kar\u015f\u0131la\u015fma i\u00e7sel bir \u00e7\u00f6z\u00fclmenin ve ba\u015fkala\u015fman\u0131n ba\u015flang\u0131\u00e7 \u00e2n\u0131 olarak \u00f6ne \u00e7\u0131k\u0131yor.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Bir roman karakteri olarak \u0130stanbul&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Yazar roman\u0131nda \u0130stanbul\u2019u yaln\u0131zca bir mek\u00e2n olarak de\u011fil, roman\u0131n d\u00f6rd\u00fcnc\u00fc karakteri gibi i\u015fliyor. Anlat\u0131, \u0130stanbul\u2019un sokaklar\u0131n\u0131n kokusunu, sisini, g\u00f6lgelerini, eski kitap\u00e7\u0131lar\u0131n\u0131 ve ya\u011fmurdan parlayan Arnavut kald\u0131r\u0131mlar\u0131n\u0131 kendi ba\u015f\u0131na bir varl\u0131k ve haf\u0131za alan\u0131 gibi ele al\u0131yor. Kitap boyunca \u0130stanbul karakterlerin i\u00e7 d\u00fcnyas\u0131n\u0131 kendi ritmiyle de\u011fi\u015ftiren, onlar\u0131 kimi zaman i\u00e7ine \u00e7eken, kimi zaman ge\u00e7mi\u015fle y\u00fczle\u015ftiren bir varl\u0131k olarak ortaya \u00e7\u0131k\u0131yor.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1970\u2019lerin karanl\u0131k atmosferinde bug\u00fcne<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Roman\u0131n iki zaman \u00e7izgisi var; bug\u00fcn ve 1970\u2019ler. Hik\u00e2ye, geriye d\u00f6n\u00fc\u015flerle T\u00fcrkiye\u2019nin 1970\u2019lerdeki siyasi bask\u0131 atmosferini sert sloganlar ya da do\u011frudan ideolojik tart\u0131\u015fmalara d\u00f6n\u00fc\u015ft\u00fcrmeden g\u00f6r\u00fcn\u00fcr k\u0131l\u0131yor. Bunu d\u00f6nemin bireylerin \u00fczerindeki etkisini, hayat \u00e7izgilerini nas\u0131l sessizce de\u011fi\u015ftirdi\u011fini anlatarak yap\u0131yor. Dergilerin kapat\u0131ld\u0131\u011f\u0131, gen\u00e7lik idealizminin bask\u0131yla t\u00f6rp\u00fclendi\u011fi, insanlar\u0131n iz b\u0131rakmadan kayboldu\u011fu o karanl\u0131k y\u0131llar roman\u0131n ana karakterlerinden birinin belle\u011finde sakl\u0131 kalan k\u0131r\u0131lma anlar\u0131 arac\u0131l\u0131\u011f\u0131yla bug\u00fcne ta\u015f\u0131n\u0131yor. B\u00f6ylece tarih, bir dekor de\u011fil, ki\u015fisel ya\u015famlar\u0131n dokusuna i\u015flemi\u015f bir ger\u00e7ek olarak roman\u0131n dokusuna i\u015fliyor.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Ger\u00e7eklik hafif\u00e7e b\u00fck\u00fcl\u00fcyor<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Yazar\u0131n dilinde ise dikkat \u00e7ekici bir ba\u015fka katman var: Roman\u0131n kimi b\u00f6l\u00fcmlerinde ger\u00e7eklik, sanki kelimelerin yap\u0131s\u0131 i\u00e7inde hafif\u00e7e b\u00fck\u00fclerek yeni bir boyut kazan\u0131yor. \u00d6zellikle kitap\u00e7\u0131da ge\u00e7en ve metnin i\u00e7inde bir \u00e7e\u015fit metafizik yank\u0131 uyand\u0131ran sahnelerde, raflar\u0131n aras\u0131nda dola\u015fan karakterlerin hissetti\u011fi o \u201csonsuz kitap\u201d fikri, Borges\u2019in Babil Kitapl\u0131\u011f\u0131\u2019n\u0131 \u00e7a\u011fr\u0131\u015ft\u0131ran hafif bir b\u00fcy\u00fcl\u00fc ger\u00e7ek\u00e7ilik tonuna d\u00f6n\u00fc\u015f\u00fcyor. Ger\u00e7ek ile an\u0131, mek\u00e2n ile d\u00fc\u015f\u00fcnce birbirinin i\u00e7ine ge\u00e7erken, b\u00f6l\u00fcm zaman zaman bir kitap\u00e7\u0131n\u0131n raflar\u0131n\u0131n aras\u0131nda de\u011fil, sonsuz bir bilgi evrenin i\u00e7inde dola\u015f\u0131yormu\u015f hissi veriyor. Kitaplar roman\u0131n genelinde yaln\u0131zca birer nesne de\u011fil karakterlerin ge\u00e7mi\u015flerine, kay\u0131p zamanlar\u0131na, hatta kendilerine do\u011fru a\u00e7\u0131lan birer kap\u0131 gibi i\u015fleniyor.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Can Orhan, 42. Uluslararas\u0131 \u0130stanbul Kitap Fuar\u0131 kapsam\u0131nda 20 Aral\u0131k Cumartesi g\u00fcn\u00fc saat 12.00&#8217;da yeni roman\u0131n\u0131 okurlar\u0131 i\u00e7in imzalayacak. Yazar\u0131n okurlar\u0131yla bulu\u015fmas\u0131 T\u00dcYAP Fuar ve Kongre Merkezi Salon 7 stant 760\u2019ta ger\u00e7ekle\u015fecek.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Kitap Ad\u0131:&nbsp;<\/strong>Belki Birimiz<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Yazar:<\/strong>&nbsp;Can Orhun<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Yay\u0131nevi:<\/strong>&nbsp;O\u011flak Yay\u0131nlar\u0131&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>T\u00fcr:&nbsp;<\/strong>Roman<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Sayfa Say\u0131s\u0131:&nbsp;<\/strong>240<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Can Orhun\u2019dan&nbsp;\u0130stanbul\u2019un haf\u0131zas\u0131na dokunan yeni roman:&nbsp;Belki Birimiz&nbsp; Can Orhun\u2019un, \u00fc\u00e7\u00fcnc\u00fc roman\u0131 Belki Birimiz,&nbsp;O\u011flak Yay\u0131nlar\u0131 etiketiyle raflardaki yerini ald\u0131. Belki Birimiz, \u015fehirle insan aras\u0131ndaki sessiz ili\u015fkiyi, ge\u00e7mi\u015fin bug\u00fcne s\u0131zan izlerini ve zaman\u0131n derin k\u0131r\u0131lmalar\u0131n\u0131 oda\u011f\u0131na alan, atmosferi g\u00fc\u00e7l\u00fc, dili titizlikle i\u015flenmi\u015f ve b\u00fcy\u00fcl\u00fc ger\u00e7ek\u00e7ili\u011fin izlerini ta\u015f\u0131yan modern bir \u0130stanbul roman\u0131\u2026&nbsp; Ex-libris ya da Pertev Efendi&#8217;nin Ola\u011fan\u00fcst\u00fc [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":3672,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,12,13],"tags":[],"class_list":["post-3671","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-haberleri","category-sanat-haberleri","category-son-dakika-haber"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/anhaber.net\/index.php?rest_route=\/wp\/v2\/posts\/3671","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/anhaber.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/anhaber.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/anhaber.net\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/anhaber.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3671"}],"version-history":[{"count":1,"href":"https:\/\/anhaber.net\/index.php?rest_route=\/wp\/v2\/posts\/3671\/revisions"}],"predecessor-version":[{"id":3673,"href":"https:\/\/anhaber.net\/index.php?rest_route=\/wp\/v2\/posts\/3671\/revisions\/3673"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/anhaber.net\/index.php?rest_route=\/wp\/v2\/media\/3672"}],"wp:attachment":[{"href":"https:\/\/anhaber.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3671"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/anhaber.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3671"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/anhaber.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3671"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}